Bradford Cox is known for several reasons. The first, of course, is for being the frontman and creative force behind Deerhunter – one of the most imaginative bands to emerge from the turn of the century. The next reason is probably his tendency to take whatever opportunity he finds to mess with people. He’s been known to unleash plenty of signature light-hearted jibes onto his audience over the years. Cox is a man who likes maintaining his status as an artistic dissident.

Luckily for Temples, criticism of the record proved itself to be irrelevant in a live setting. The album had only been out for two days before the band’s gig in Bristol, but those huddled at the front already knew the words to most of the songs. The audience was so immersed that they spent much of the show with their eyes closed anyway, solving any problems that the band’s caricature-like image might cause.

Kite Thief is a band that proves ’emo’ music doesn’t have to be naff. They’re a bit pop-punk, a bit thrashy, and a bit prog: a blend of genres that can be very unforgiving if you don’t get it quite right. Luckily for Kite Thief, though, they have managed to pull this off, and not just by the skin of their teeth.

One of Belishas’ clear selling points is the extreme air of Englishness they emit in both their sound and image. Ewan Ferguson’s vocal delivery is in that archetypal half-singing-half-talking drawl of early 2000s indie rock n’ roll, similar to Carl Barât and Pete Doherty. The lyrics are a mix of being entertainingly to-the-point – almost childish at times – and poetic. ‘You’re so boring!’ in ‘Chlorine Maureen’, and ‘You’re like a grapefruit way after it’s ripe’ in ‘Dorian Grey’ are candid, a bit bitchy, and very funny indeed.